March 2018

After reviewing Panasonic's Lumix GX9 two weeks ago, it is time I look through the hundreds of image files I shot with this delightful M43 camera, archiving what I need and thrash what I do not.



In the process, I opened a few GX9's RAW (RW2) files with Affinity Photo, my Adobe DNG Converter (10.2) is not able to convert the "new" file yet.

My usual workflow when I review a camera is to shoot BOTH JPEG and RAW files.

The RAW are converted to DNG and open in Adobe Camera Raw, so are the JPEG and both are adjusted in ACR where necessary.

This time round I notice something strange between the JPEG and RAW that I cannot explain and I think it is worth some investigating!




I took a shot of this landscape where half of the top were brightly lit and the bottom half were in deep shadow.  I was going to use these files to test the dynamic range and the integrity of the files after they are adjusted. The top image was from JPEG and the bottom from RAW.


Both images went through Adobe camera Raw where details were reclaimed and colour adjusted. As you can see, the JPEG's colour did not react that well to the heavy adjustments and the road is still with blue bias.

The RAW responded beautifully from the post processing and I got a very accurate rendition of the scene!

But WAIT!

Notice the RAW file is showing MORE of the landscape than the JPEG?

Checking their image size...

JPEG    5,184 x 3,888 pixels    17.28x12.96"
RAW    6,200 x 3,904 pixels    17.333x13.013"

The Image Size clearly show the RAW file have MORE PIXELS than the JPEG!

Why?

Photo and Video Theory claimed "The image size window confirms that there are no difference between a RAW and a JPEG when it comes to their weight in MB."

But my finding showed this is NOT true. The RAW is nearly 2MB MORE than the JPEG!

What about the INTEGRITY of both files? 

Are JPEGs so good now that, fussy photographers do not need to shoot RAW and thus saving LOTS of space?  What if your image have a very wide range of brightness and shadows, like the one I was showing you?

These are the 100% cut from the lower left of both files...


I think the crops above give you a good idea that the RAW image deliver better detail than the JPEG , you want the best? Shoot RAW!



Again, TOP file from JPEG and BOTTOM from RAW, these were 200% crops!

This also go to show how good the 20.3 MP sensor is!!

Not forgetting these were shot with the "cheap" 12-32 kit lens!  Now you know how good it is!

Coming back to the size difference, could it be Infinity Photo doing it right with the RAW file and ACR screwing up the JPEG?

The plot thickens!

Famous Last Words...

I just opened BOTH RAW and JPEG with Infinity Photo and the RAW is still larger than the JPEG.

Look like the fault is with the JPEG Engine in the GX9!

Will get an answer from Panasonic.

I was asked by my readers to write a post on the new Lumix GX9 camera and why it is receiving a lot of bad vibes from Lumix fans...

To understand why the Lumix GX9, a really good micro 43 offering from Panasonic is getting lambasted by it's fans, we got to rewind to the beginning...


In November 7, 2011 Panasonic announced their LUMIX DMC GX1.

The DMC-GX1 has a 16MP sensor with a top ISO of 12,800. The 460,000 dot 3.0" fixed LCD functions as a touch screen. The camera will create full AVCHD 1080/60i video from 30fps sensor output. Continuous full resolution shooting is 4fps while burst mode allows continuous shooting up to 20fps at a lower resolution. Extra function buttons were added bringing the total to four, two of which are on the touch screen. Auto bracketing will create sets of 3, 5 or 7 exposures at 1/3, 2/3 or 1 stop. Wikipedia


With Auto Focus, Manual focus, Face Detection, AF Tracking, 23-Area-Focusing/1 Area Focusing, Single or Continuous AF, AF detection range: EV 0–18 (f/3.5 lens, ISO 160),Pre AF (Quick AF/Continuous AF), AF+MF, MF Assist(5x, 10x), the GX1 was a very popular camera!

Then in August 2013, Panasonic Lumix DMC-GX7 was announced it is a Micro Four Thirds compact mirrorless interchangeable lens camera. It was Panasonic's first Micro Four Thirds camera with a built-in in-body stabilisation system (IBIS) and has a built-in EVF.


GX7 features include:
  • Magnesium alloy body
  • New 16 MP Live MOS, Four Thirds sensor (25% better Signal to Noise performance, 10% better sensitivity, 10% better saturation level [4])
  • Venus Engine
  • ISO 200 - 25,600 (ISO 125 in extended mode, max. 3,200 in movie mode)
  • Maximum shutter speed 1/8000 sec.
  • AF detective range: -4 EV to 18 EV [5]
  • Micro Four Thirds mount
  • Full HD video capture, including 1920 x 1080/60p (AVCHD or MP4 formats)
  • Full-time AF and tracking AF also available in cinema-like 24p video with a bit rate of maximum 24 Mbit/s
  • Built-in live view finder (electronic view finder, EVF), 90-degree tilt-able, 2.764M pixel resolution with 100% Adobe RGB color reproduction
  • Built-in 3", 1040K pixel tilting (45 deg. up, 80 deg. down), touch-screen LCD screen
  • Built-in flash (and hot-shoe)
  • Sensor-shift, in-body image stabilization (2-axis)
  • 5fps using single AF with mechanical shutter / 60fps with electronic shutter up to 12 frames
  • Focus Peaking
  • 22 creative effects, HDR
  • Panoramic mode, with filters
  • Silent Mode, electronic shutter mode
  • Near Field Communication (NFC)
  • Wi-Fi connectivity

After bathing in popularity for 2 years, in late 2015, according to Wikipedia, Panasonic launched GX8, which succeeds the Panasonic GX7, it has a 20MO sensor, an ISO range of 100-25600 and 49 AF points. The Panasonic GX8 can record 4K videos and 4K time-lapse movies.


I was given the GX8 to review in September 2015 and I realised the GX8 was a different beast to the GX7.

It was much larger and the huge weather sealed body was made to take BIG lenses like the 100-400 comfortably.

Best of all, it came with a NEW 20MP sensor and the first M4/3 camera that can utilise the 4-axis in body stabiliser TOGETHER with the 2-axis one from most Lumix lenses to give you a 6-axis system!

The feature that I will part with my money was A HUGE 2,360k OLED electronic viewfinder (EVF)! The view in the finder is huge and the colour is so natural you would mistaken it as a reflex finder from a DSLR! You got to look inside to believe how good it was!

It was easy to understand why Lumix fan accepted the GX8 as Panasonic's TOP END RF-like camera.

Less than a year after the glory set by the GX8, Panasonic DID IT AGAIN with a smaller GX8 look alike and they named it the GX85.



In April 2016, I was the first person to review this smaller GX85 and I asked "GX85 Did Panasonic GET IT RIGHT?"

I think they did and my report on the "got it right" Lumix received the highest views of all my posts!  The camera became the best seller for Panasonic and I was so impressed by its features, I bought one myself!

Panasonic fans started to questions why the very desirable GX85 is known as GX7 MarkII in Japan. Some seems to think that the GX7 was NOT actually "replace" by GX8 but by GX7 MarkII (the GX85), the BIGGER GX8 is actually a NEW FAMILY of Lumix.

It was HUNKI-DORY for Panasonic for a while until they announced the GX9 a few weeks ago.

Judging by the name GX9, you would ASSUME it is a GX8 upgrade?

Wrong!

The GX9 is known as GX7 MarkIII in Japan!



GX8 users were furious, they now realised Panasonic has UPGRADED the GX7 TWICE while leaving the GX8 users in the lurch!

One very angry user Aaron Spektor gave me permission to publish his frustration... 

This is a GX90. The update to the GX85. 

Panasonic f@#$ed up their own nomenclature. 


Panasonic told us previously, that the breakdown for models is something like this:

GH- Pro/SLR

G- Mid SLR

GX 7/8/9/10....
Pro Randefinder

GX 80/85/90/95...
Mid Rangefinder.

We finally started to follow this stupidity.

Then;

G9- A Pro photo-biased SLR. 
Proper name should have been GH5P
(P for photo)

GX9- This is clearly a GX90
A Mid-Rangefinder. 

So if there ever Is a replacement to the GX8, It should have been the GX9, but now theyll have to call it something more confusing.

I hope theyre reading these comments.

IDIOTS!! "


OUCH!


I think it is time Panasonic do some DAMAGE CONTROL!

I hope I will be getting some feed back from Panasonic.

Before we start, let us get this out of our system...

"The NEW Lumix GX9 is NOT a replacement for GX8, neither a GX8 Upgrade!"



If you still do not believe me, take a look at this Panasonic G camera History Tree that I created with reference to a low quality snap of the same chart from Japan.



As you can see from the chart, the GX9 is, to Panasonic Japan, the GX7 MarkIII and our GX85 is their GX7 MarkII because BOTH model came from the SAME family.

The GX8 is by itself, a stand alone model and still NOT replace by a new camera.

So WHY are some reviewers keep comparing the GX9 with the GX8?

May be we should blame Panasonic for their naming game?  :)

Now that we understand each other, let us take a look at this new Lumix offer...

Put the GX9 and GX85 side by side, it is easy to realise both cameras came from the same family.

The main external difference is that the GX9 have a two tier dial on top, which I find a bit harder to adjust because of the  smaller size. The exposure compensation lower dial, being too close to the top dial, is actually slower to change, compare to the GX85's press and adjust dial where your thumb sits!

Both cameras came with the same rear screen, the GX9 is of high resolution and it show.

EVF on both are not very exciting, a far cry from the INCREDIBLE one that came with the GX8! The EVF of the GX9 is able to tilt, that is the only feature similar yo GX8.


Both the GX85 and GX9 came with a little pop up flash that you can tilt and bounce.




The new GX9 (right) is slightly heavier than the GX85, by 18 grams!  I Hardly feel it! Could they use the same body, you tell me!

Surprisingly, a NEW feature on the GX9 that no other Lumix camera have is the little door where the charging and HDMI ports sit. Give the door a push and it disappeared, like magic, reviewing the two ports, minus the dangling door!

It is much harder to extract the SD card from the GX9, the ejected card sits too near to the wall and I can imagine those with big fingers struggling to remove it!

Extraction of the GX85 SD card is a breeze :)

Oh.. personally, I hate to charge my battery IN CAMERA, both the 85 and new 9 came with the same charger WITHOUT an external battery cradle, I bought my own so I can charge OUTSIDE the camera. May be that's just me?


The other "Special" that came with the GX9 are a new MONOCHROME mode that give "even finer graduation" and I read somewhere that the AF speed of the GX9 is FASTER than the GX85. This I got to see, so I did a simple test.





Both cameras were fitted with the 12-32 kit lens and the videos were shot at the 32mm setting.

Can you spot the difference?

I can't, look like the AF speed of both were the same, so I took the GX9 to shoot a line dancing video...


The original video of "Lonely Drum" was shot with the 12-32 kit lens at 12mm in 4K 25p and I ended up with a whooping 3840X2160 MP4 file that is 2GB+!  The Youtube upload was resized to 1920X1080.



I am surprise how good the colour rendering of this ISO 1,600 video is! It was done with the kit lens!

A "grab" from the video.

The AF tracking was nearly spot on, there were two brief focus "hunt", I am sure this will not happen with the 12-35 F2.8.

I find the hand held video was really smooth and steady, the in built DUAL 2 STABILISER work very well!

The Sensor, the Sensor!

Of course the coup d'état of the GX9 against the older GX85 is the 20.3 MP high-resolution MOS Sensor with Tuned Three-Dimensional Colour Control to detect hue, saturation and brightness for optimal results, on top of that they removed the sharpness zapping AA Filter!

In theory, at least, it will be SHARPER than the (AA Filterless) 16MP sensor in the GX85!

But are you able to see the difference?


First of all, take a look at the pictures above, both were taken with the same 12-32 kit lens but the GX9 will produce a LARGER file than the GX85 because it have a sensor with MORE pixels.

In real life, even with 2 million MORE pixels, visually, you will not be able to see the difference.

I was a bit bemuse by Panasonic promoting the GX9 as the best street photography camera, since the GX9 is so similar to the GX85, I reckon what it can do, the GX85 can do too!

Make sense?


I took the GX9 to our Cuba Mall and watched the world go by...









Then I took some nice group photos with it...




 Some landscape, sunset, giant cruise ship...





I even got round to snap some pictures of 
Korean food and use the tiny flash for our wefie!





I even try my old Nikon and Leica prime lenses on this new Lumix...





Taken with my old Nikon 35-70 F3.5 FF zoom lens.





With my 40 years old Leica 35mm F1.4 Summilux-M.

Famous Last Words...

In April, 2016 when I reviewed the GX85, I asked this question...

"LUMIX GX85 Did Panasonic GET IT RIGHT?"


Personally, I think they did, they updated the very popular GX7, put in the best stabiliser and a 10% sharper filterless 16MP sensor... it came with everything a keen and FUSSY photographer (like Moi) could ever want!  IT was an overnight success!


I was so impressed, I bought one myself!


Now, with a new name, the GX9 try to have the same success, but instead, getting some negative response from Lumix fan!


These comment from a forum sums up some of the frustration some Lumix user feel...


"The camera itself is not all that bad. But slapping a highly anticipated premium label on a more so refreshment product is what's ticking people off!  


To make it worse, they named it properly as GX7 Mk3 in the JP market, so they knew this is not a step up in the high end model in GX line going into the marketing campaign."


Well, everyone are entitled to their own opinion, for me, my GX85 is still able to provide what I want and I don't see I will upgrade to another "Got It Right" Lumix with 20MP sensor.


On the other hand, if you are new to the game and looking for a "Got It Right" Lumix, this is the best camera to go for!


The last time I check, the LUMIX GX9 (Body Only) is going for NZ$1,398 at our local Photowarehouse.



** Thanks to PANASONIC NEW ZEALAND for the review LUMIX GX9**

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