Articles by "Photography"

1987, the year of living dangerously!

The Aussies started it all with the coverage of Barlow and Chambers drug trafficking case.

I was working for a local Penang paper; young and reckless, shooting for the paper and moonlighting for the Australian agencies! Money was fast and good.... we never see so many photographers and "green bills" in our life!

The high court in Penang was like a media zoo!...

The important thing about covering a high-pressure-high-court case is a electronic flash with very fast recycling time! In 1987, Quantum battery was the "King "! I decided to built one that is FASTER!


What I did was to strip my compact Metz 32CT3 and connect a male video cable plug on the flash (see red circle in the picture of the flash), the internal + and - cables for the battery chamber were then connected to the plug in series.

I then bought some plastic AA battery carriers from Tai Huat Hardware and Aradite-cement them together to take 6 AA batteries. Now with another 4 batteries in the flash, I have the "juices" of TEN batteries IN SERIES! This "power pak" was then connected to the flash's "ear" (plug) with a cable. My technician friend tested the output and said I was bloody mad because at the capacitor he measured a whopping 30 amp charge!

He reckoned if I use the flash in the rain, it will electrocute me!

So KIDS, Don't do it at home! You can get FRIED and I am not talking about Kentucky :)

Young rooky Goh Chai Hin, then a snapper for Reuters was covering all the drug cases, being ex-Star and my ex-protege; he was allowed to use our processing and transmission facilities in our photo dept.

I remembered Goh was laughing at my "home brewed" power pak and he challenged mine against his Rm 300.00 Quantum... well, guess who has the last laugh? At f8, ASA400; auto coverage from 7ft-15ft range, my Metz "rabbit-ear" flash zapped 24 blazing shots none-stop before the ready light went off. The Quantum? FOUR shots if you are lucky! Ha ha ha..

Before all you young photogs run off to do what I did, DON'T! Tell you why another time :-)

Back to the story:

Frank Foerster, a West German charged for suspecting drug trafficking and who has been in jail for three years waiting for trail was taken to Penang High Court early 87.

First day of the trail, the court was swamped by Leicas trotting Germans....

On his way to the "Black Maria", Frank was taken out of the court room by 4 or 5 police and half a dozen of truncheons waving riot police.

For some unknown reason the police and FRU (Field Reserved Units) of Malaysia tried to hide his face from the media!! This was unprecedented! Never happened before!

The media went top gear, there were mad push, pushing, cursing and all kind of "ugliness" came alive when all of us try to get a scoop shot!

The media circus chased the police team down the stairs and a couple of the photographers fell down the stairs!

I took a "grab" shot with my Leica M3 and 28mm lens which was loaded with Ektachrome transparencies of Goh Chai Hin being man handled by a FRU personnel. He was actually holding on to Goh's camera wrist while the other police officers concealed Frank's face with their police caps!

Immediately after I took that DECISIVE shot, I was whacked by a police truncheon and fell in pain on to a ABC cine light man, his flood lamp shattered all over the court floor.

When we all got our composure back and continued our mad chase, Frank was taken away in the "Black Maria" van.... young Goh was cursing the police in all kind of words we normally will not use to our enemy :-) while I desperately trying to stop a young FRU from hitting him!!

Back at The Star and after listening to our account, our Editors decided to run my picture to protest against how the media were treated!

Alas The Star newspaper had the GUTS to run my picture the next day, seven column right across the front page! We were so proud of the paper!!

The next morning at the high court all the FRU men were lined up in front of us and a stern warning were given by their captain on the way they treated the media. Bravo.... sad to say, I don't think the present Star will DARE to run such a picture again! The Star today has lost it's GUTS and journalistic vision of yesteryear! What say ye, Star Editors?

RIP.... Pre 1988 Star, we were all proud to work and slog for yer!!

(Frank Foerster was found not guilty and was released, Australians; Barlow and Chamber were hung in Malaysia).

Niall, a professional photographer living in Belfast Northern Ireland reckoned:

"Wonderful story Leow, court cases are always drama filled, but when the police and the media tangle, its never pretty :-)). My photography mentor Brendan Murphy is about to retire from service after 30 years in the business, I'll miss his advice and his dry whit. keep up the great stories and pics."

Hermo commented:

"The drama was well framed and the story accompanying it compliments the photo and helps the viewer become one with the story. I don't know if I would have the guts to clash with police to take photos, but I guess it gives one a hell of an adrenaline rush!"

Famous Last Words:

A few months after my flash modification, I was using it to cover a function at a Baling rubber estate where Dr M was attending. Before he arrive, I test fired the flash and it BLEW up with a explosive BANG! I nearly dropped my camera! It was the capacitor being ruptured! I dare not imagine the consequences if the flash did this while pointed at Dr M!

I had a new capacitor replaced and few weeks later, the flash tube then busted! It was also replaced... call it nostalgia or whatever, this little "banger" sure serve me well! And I still got the little bugger :)

Now you know why YOU SHOULD NOT do it at home!

Happy Shooting!

During the weekend I was browsing and looking at photos that are classified as "Street Photography" and was stunned how popular this type of documentary photography is!

So what is street photography?

According to Wikipedia:
"Street photography is a type of documentary photography that features subjects in candid situations within public places such as streets, parks, beaches, malls, political conventions, and other settings."

It go on to say about this type of photography...

"Street photography uses the techniques of straight photography in that it shows a pure vision of something, like holding up a mirror to society. Street photography often tends to be ironic and can be distanced from its subject matter, and often concentrates on a single human moment, caught at a decisive or poignant moment."

Straight photography? A quick click of my mouse told me that...

"Straight photography or Pure photography refers to photography that attempts to depict a scene as realistically and objectively as permitted by the medium, renouncing the use of manipulation.

Founded in 1932, Group f/64 who championed purist photography, had this to say:
Pure photography is defined as possessing no qualities of technique, composition or idea, derivative of any other art form."
Hmmm... that prompt me to look at my archived images to see which of my shots can go under this decisive, candid; category :)

One of my favorite!
I was walking pass a construction site in Penang, Malaysia. Saw this guy peeping into the construction site, oblivious to the "DANGER" sign on top of his head!

I took six shots while moving slowly closer to him to get a tighter crop, he was so absorbed by what ever he saw he did not hear my motor-drive! What was he looking at?

Nikon F2 with 105mm f2.5 lens Kodak Tri-X film.


Hobo, SoHo, New York... a "grab shot" with a Canon EOS1 film camera and EF 14mm f2.8 super wide lens, Kodak 400 Ektapress film. Love those cast iron buildings!



Old folks in Chinatown, Manhattan; having a break while their wives having a poker break nearby.

Don't they look contended with life! My trusty Leica M4P with 90mm f2 Summicron on Kodak Ektapress 400 film.


Kids planning for something outside a mall at Innsbruck, Austria. Canon EOS-1n film camera, 28-70 mm zoom. Kodak film.


Why do people always show the "V" sign when they have their picture taken?
This group of happy go lucky kids in the town square of Vienna did just that.
I move closer with my fish-eye to capture their jubilant mood.
Canon EOS1n with 15mm fish-eye lens. Kodak Supra 400 film.


Art seller on wheelchair and wearing an umbrella hat, New York. Canon EOS1, 14 mm lens on Kodak 400 film.


Sunday morning coming down... Martinborough, New Zealand. Canon D60 DSLR, 15 mm fish-eye lens.


Plaster couple... Wellington, New Zealand. Canon 20D DSLR, 70-200 lens @ 200 mm.


Feed the birds... Melbourne, Australia. Nikon Coolpix 8400 point n shoot @ 24 mm eqv. 1/125 sec.


Young Lord of the Ring fan was taken at Courtenay Place, Wellington; New Zealand. Canon D60 DSLR, 17-35L f2.8 lens.



"The Look" was shot at Oriental Parade, Wellington; New Zealand. Canon D60 DSLR , 17-35 lens @ 17 mm.



Ice cream man...I was doing a freelance shoot in Malacca, Malaysia; Y2K. Saw this friendly ice cream man . Shot with my Nikon F3P, Nikkor 300mm f4.5 IF-ED. Kodak ISO 100 film.



Tourists enjoying the afternoon sun and my selfie at Lake Titisee, Germany. Leica M6 with 28 mm Elmarit f2.8 lens. Kodak Ektapress film.



Bull ride at Salzburg, Austria. Canon EOS-1n with 28-70 lens, Kodak film.


This Malay street peddler was trying to hog off a "diamond ring" at Kuala Lumpur, Malaysia. 

I move in really close with my Canon EOS-1n and a 15 mm fish-eye lens. Holding the camera above heads of his customers (notice my camera and arm shadow), I fired a few shots and moved swiftly away. Walk away when you feel hostility rising ;)


Siesta.. shop keeper at Arab Street, Singapore. Taken with a Nikon E2 DSLR with Nikkor 80-200/F zoom. E2 was co-developed with Fujifilm, are autofocus 1.3 megapixel professional grade quasi-full frame (35mm) Nikon F-mount digital single lens reflex cameras (DSLR) manufactured by Nikon since 1995.


My boxes, my home.. taken from the top of our double decker tour bus near Times Square, in New York. 
Shot with my Leica M6 with 90/2 Summicron on Kodak film.


A homeless man sleep with his worldly possessions beside a million dollar sea front apartment block near The Rock, Sydney, Australia.  
Olympus OM-D with Lumix 7-14 zoom.


Kid on a giant boulder in front of Te Papa museum in Wellington, New Zealand.
Nikon F3P with Nikkor 20/2.8 lens, Kodak film.


Dog, frog.. caught at Lucerne with Canon EOS1, 28-70/2.8 zoom on Kodak Ektapress 400.


A young man in Chinatown, Sydney, Australia horning his photographic skill.
Olympus OM-D with Lumix 7-14 ultra-wide zoom.




A young tourist snapping a picture of her travel companion at the gate of Sydney's Chinatown.
Olympus OM-D with Lumix 7-14 ultra-wide zoom lens.



A just married Chinese couple crossing the road after their photo session outside the Sydney Opera House, Australia.
Olympus OM-D with Lumix 7-14 ultra-wide zoom.




Enjoying a huge slice of water melon in a food court, Brisbane, Australia.
Olympus OM-D with Lumix 75-175/4 zoom.

Famous Last Words:

My friend say how about some tips in street photography, I say go and Google "street photography tips" and you will get 700,000 pages of tips on this subject!

The top hit was from digital-photography-school.com on 20 quick tips.

I find most of the tips are more to do with your common sense, readers are most likely wanted to know what is the best cameras for this type of photography. After all, I used more than 7 different types of cameras for those shots!

First please let me explain I was not going to look specifically for street shots when I captured those images. I used what ever cameras I had at that moment, I suppose being able to operate the camera fast; helps :)

Jokes aside, the best cameras for street photography have to be:

1) Small  (at the moment, I prefer a M43 camera like the Lumix GX85)
2) Quiet   (as above, no, I do not work for Panasonic!)
3) Black   ( less people will spot your black camera!)
4) Digital with FAST auto focus  (Lumix GX85, Sony, Olympus, your choice)

It is definitely an advantage if your digital camera come with tilt-able rear screen.

For nonchalant candid shots, my OM-D with the raised rear LCD was usually hung from my neck or sitting on my lap, there was time it is just sitting on a table for all the candid shots of the “water melon lady”.



Beyond photo tips has a good write up. Go read.

Don't let any one trying to tell you a Leica-M is best for street shoot, I know Cartier Bresson, father of decisive moment used them but that does not mean you can get great shots with them.

The Range Finder Forum have some interesting ideas though. Worth a read!

For me, I am looking forward to the further development of the EVIL camera from Nikon and Canon!

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